Presenting John Lovett’s watercolor paintings

I came across a great blog this morning! It was actually featured on the website – John Lovett @ Splashing Pain blog. Check out some of his work below. (All images and text belong to John Lovett)

Two color demo using Indigo and a transparent, Burnt Sienna like color mixed from Quinaceradone Gold, Alizarin and a touch of Ultramarine

Making sense of a complicated subject

A simple subject made interesting by shifting the emphasis away from formal symmetry to a more dynamic diagonal thrust.

A workshop in Bend, Oregon wouldn’t be right without a painting of Mirror Pond.

Cheese cloth, rice paper, pastel, ink and gesso were used to build up the interesting textures of this Italian Hilltop Village.

In this painting of Monterey Wharf, Ultramarine Blue gouache was used to give maximum impact to the focal point.

This simple subject is a lot of fun to paint and a great way to work with positive and negative shapes.

…and a few more Workshop Demos:

Landscape demo using French Ultramarine Blue, Phthalo Blue, Quinacridone Gold and Permanent Alizarin.

In this demo we took a complicated subject, simplified it then worked detail over the simplified shapes. The sky and awnings were painted with pale ultramarine gouache (mixed from white and ultramarine gouache).

A similar subject, this time we launched into it with a big 1/2 inch bristle brush to make the main Ultramarine shapes then built the rest of the painting around these marks.

Again, using a 1/2 inch bristle brush, we reduced this subject to a few simple shapes. A broad, direct approach delivers just enough information to tell the story without the clutter of unnecessary detail.

This demo was an experiment with negative shapes. The leaves were built up layer by layer, painting the successively darker backgrounds and leaving the leaf  shapes exposed.

Our first day painting ashore was in the small town of Russell in the Bay Of Islands. A sunny day under a shady tree with cafes and bakeries close by – what luxury!

On board demos took students through a number of techniques we would use once ashore.

On board Hawkesbury River demo, showing how to simplify a complex subject.

We found a busy boatyard on Auckland Harbor and spent a day painting there. They say Auckland has more boats per head of population than any other city in the world.

Napier was an interesting town – destroyed by earthquake in 1931 then completely rebuilt in the Art Deco style. It has been proudly maintained in that style ever since

We spent an afternoon painting in the central park, the interesting architecture and tall palms making great subjects

A warm sunny day greeted us in the beautiful city of Christchurch. This is the side door to Christchurch cathedral. It is hard to believe, just a week later the city was hit by a devastating earthquake. The cathedral spire crashing to the ground where we painted.

One of the few bad weather days on the workshop. Dunedin was overcast, cold and windy, but it somehow added to the character of this old tug and the jetty below.

See the rest here.


Posted on October 14, 2011, in Art, Watercolor and tagged , , . Bookmark the permalink. 5 Comments.

  1. I truly like the arragement of your site. I appreciate the excellence of the information. You have done a exceptional job. Thank you very much

  2. interesting article. thanks very much

  3. Beautiful work. I oil paint, but am gaining interest in the fairly instant magic show of watercolor. I’ll add you to my list of artists to try to copy – if you don’t mind — along with Cezanne, etc. I don’t think anyone will confuse us :).

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